
I’m not a religious person, so I have, in the past, missed signs that had spiritual implications. For example, when I was researching my novel Wolf Catcher—which was just rereleased by Next Chapter Publishing—I didn’t understand how offensive some of my requests were.
I was hired to write a magazine article about the man they call The Magician. His fabulous, nine-hundred-year-old tomb had been uncovered by archaeologists in 1939, beneath a pueblo on a lonely hillside about ten miles from Flagstaff, Arizona. Back in those days, exhuming indigenous burial grounds was an acceptable practice, which now seems absurd. Logically speaking, there’s not much difference between rifling through the belongings of ancient mummies and digging up one’s modern-day grandmother. Imagine collecting jewelry from grandma’s body and selling her precious possessions on eBay.
As a kid, I sometimes visited the Museum of Natural History in New York, where burial offerings from around the world were often on exhibit. However, while trying to determine who The Magician might have been, I discovered just how offensive it is to put human remains and funerary objects on display. My first hint was a letter my editor at the magazine received when I ignorantly requested a DNA test on The Magician. My reasoning seemed sound. The Magician was described by those who found him as being physically different from the people who buried him in several ways. He was particularly tall for his time and did not resemble the Native Americans who populated the region. He was said to have some Caucasian facial features, so my first thought was how did a man who may have had some European ancestry make it to what would become the American Southwest almost one-thousand years ago.
My request for scientific analysis was met with a hard no from the Hopi tribal authorities. The Native American Graves Protection and Repatriation Act of 1990 stipulates that all remains and funerary objects must be treated with respect and dignity and that the destruction of any portion of a body—even something as seemingly insignificant as a tooth for a DNA sample—is unacceptable and illegal.
At that point, I was so focused on getting my story done, I didn’t understand why my request for scientific testing was such a big deal. Then, when I arrived to interview an archaeologist I’d worked with previously, I was shocked when he didn’t appear. It would be another archaeologist who would gently explain the problem. These scientists are bound by their relationships with Native American tribes. If they want to dig on tribal or even public land, they must get permission. If they don’t follow the rules, they will be shut out, which would hurt their reputations and limit their ability to work. My investigation posed a threat to the man’s career, a risk he wasn’t willing to take.
While researching the story, I picked up a number of pottery shards. My logic was simple. I was on public land, so clearly I had committed no crime. But again, I was wrong. Those beautiful pieces of ancient fired clay, many so bright and vibrant they looked as if they’d been painted yesterday, should never have been taken from their resting places, because once you’ve removed an artifact from its setting, you’ve destroyed its sense of time and place—it’s historical significance—something you can never get back.
After finishing Wolf Catcher, I found myself staring at those thousand-year-old bits of pottery and couldn’t pretend I hadn’t done something wrong. I spoke about my feelings with a friend who was a nondenominational pastor. She quickly responded that I should put the pieces back where I found them.
She and I traveled to Ridge Ruin where I gently returned the shards to the hillside. We stood on the rocky ground under which the pueblo that housed The Magician’s body lay hidden, having long ago been backfilled to protect it from looters. I stared at the spot where the man had been buried with such reverence all those years ago. My friend asked me to apologize for my mistake, which I did.
As I said earlier, I’m not a religious person, and yet, as we left that windswept hillside that held the remains of Ridge Ruin in its belly, I felt better. And I promised myself I would not make the same mistakes again.
If you’d like to learn more about my quest to understand who The Magician might have been and what his world was like, read my novel Wolf Catcher.

Wolf Catcher
Anne Montgomery
Historical Fiction
Released August 4, 2025
The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.
In 1939, archaeologists uncovered a 900-year-old tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by hundreds of extraordinary funerary objects, including wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man was a magician.
Sixty-five years later, investigative reporter Kate Butler discovers evidence that The Magician looked notably different from those who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.
Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.
Praise for Wolf Catcher
“Blending archaeology and Native American mythology, “Wolf Catcher” by novelist Anne Montgomery is an original, exceptionally well written, and compelling work of historical fiction…” – Midwest Book Review
“The author’s ability to interweave the past and the present was masterful. The characters were complex and interesting, especially with the underlying theme of rethinking the history of worldly human migration … A real page turner and I am wondering when the movie is going to be made!” – Alicia Williams Goodreads
“The story is very well-paced, reaching a page-turning, action-packed climax to the end. This story has all the elements of a great suspense drama centered around a historical mystery.” – Heidi Slowinski Author
“I was deeply and thoroughly embroiled in this imaginative novel… (that) melds seamlessly much of fact with fiction. Totally recommended! “ – V. Williams Vine Voice
“What a journey! What a story! A truly epic tale that grabs you by a throat and moves your soul. Highly recommend for the readers of all age groups.” – Marina Sardarova Author
“Boy, didn’t this one grip me quickly and keep me glued to the pages! Loved the cliff-hanging chapter endings. Well researched, well-plotted and paced…Trust me, you’ll love it. Totally recommended and out now!” – Rosepoint Publishing
“Once again the author has created a beautiful story with a powerful message. She took a piece of history and brought it to life. I just can’t say enough good things about Wolf Catcher.” – Megan Salcido Wildwood Reads
Anne Montgomery’s novels can be found wherever books are sold.













