Archeological Looting: It hurts all of us

TouchPoint Press will release my historical-fiction novel Wolf Catcher in February.

One of the themes in my historical novel Wolf Catcher, which will be published by TouchPoint Press on February 2, 2022, is the problem of archeological looting. Of course, this issue isn’t new. Human beings have been rifling through ancient sites for thousands of years, mostly plundering rich burials for financial gain.

Before my job took me to Arizona, I had little knowledge of the issue. The state is vast, with a lasting history of the Native Americans who have populated this land going back maybe 15,000 years. In the late 1800s “grave robbing” in America became the norm. The idea that the Native American culture was dying gave looters the ridiculous idea that stealing pottery,  jewelry, and other funerary objects was perfectly fine.

In reality, the wonton destruction of ancient sites—looters have been known to employee backhoes and other large equipment to rip through pueblo dwellings and burials—is sadly common in the American Southwest. While archeological looting today is a crime, the law is very hard to enforce. Here I will let some of the characters in Wolf Catcher explain.

“How can this happen?” Kate asked.

Cooper placed his arm around her shoulders, all the levity and earnest excitement that had permeated their time at the site having evaporated into the chilled air. A thick bank of dark clouds blocked out the sun. “I have an idea that the problem of catching pothunters has to do with manpower, am I right?”

Ancient Southwestern sites are being ransacked by looters in a crime that destroys our understanding of history.

George spoke as he scanned the ground for evidence of looting. “Manpower is a great deal of the problem. First, the question is who is responsible for a specific site? A ruin could be on land controlled by National Park officers, Bureau of Land Management investigators, tribal authorities, U.S. Forest Service rangers, Bureau of Indian Affairs agents, or state investigators.”

“It sounds to me like you have too many people involved, not too few,” Kate said as she searched the ground for clues.

“Consider this,” George said. “The BIA, which watches over about five hundred seventy tribes nationwide, currently has just one investigator assigned to looting. Here in Arizona, just two investigators cover looting on trust lands. That area covers nine million acres. BLM officers cover more than a million acres each.”

“The other problem is the sheer number of ruins,” Rebecca explained. “In Arizona, we have catalogued more than a hundred thousand sites, but most of them haven’t been inventoried, so we don’t even know what’s in them. How, then, can we know what’s missing?”

Before purchasing an ancient object, make sure to check where it came from and how it was acquired.

So, manpower and vast areas of rugged wilderness make catching looters difficult. But prosecuting them is even more of a problem. The way the laws are written, those caught looting can play dumb and act as if they had no idea they were breaking the law. Often, they get off with little more than a warning.

Not only do we need to install harsher penalties for archeological looting, we need to change the way we think about it. Looting is a crime against all of us, because once you’ve removed an artifact from its resting place, you’ve destroyed its sense of time and place. Our ability to understand its historical significance is then lost forever.

What can we do? Be very careful when you consider acquiring an ancient object. Even if it comes from a tony Scottsdale shop, ask for its provenance. Where and when was it harvested and by whom. And, when you’re out hiking, stop and think about picking up that pretty pottery shard or arrowhead. It’s best to admire the object, then leave it where you found it.

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The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

WOLF CATCHER

Anne Montgomery

Historical Fiction/Suspense

TouchPoint Press

February 2, 2022

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

REVIEW COPIES OF WOLF CATCHER AVAILABLE UPON REQUEST

Contact: Jennifer Bond, Publicity Manager, Media Liaison

Review/interview requests: media@touchpointpress.com

Pre-orders available here.



Wolf Catcher: An excerpt

My historical novel Wolf Catcher will be published by TouchPoint press on February 2, 2022. Here’s a sneak peek. I hope you enjoy the read.

WOLF CATCHER

In 1939, on the last day of excavation, a shovel broke through the floor of a pit house at the Northern Arizona site archeologists called Ridge Ruin. The burial chamber overflowed with fabulous funerary objects: four hundred and twenty carved arrowheads, twenty-five decorated pottery vessels, a large collection of minerals and crystals, reed tubes filled with pigments, myriad baskets, and shells from the far off Pacific Ocean. Then there was the man, bedecked in fine turquoise jewelry and intricate beadwork, his body surrounded by wooden swords with handles carved as animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Chapter 1

1098 A.D.

The azure sky revealed no signs of the violence that had changed the world. Only a pine-scented breeze pressed through a gnarled stand of junipers that stretched along the wash. He closed his eyes and remembered the ragged band of refugees, the lingering sulfur smell of them, and the story they told. The ground, they said, had heaved and broken open, a fissure splitting the earth in a roar of steam and brilliant flames that shot straight into the high desert night sky.

The horizon burned with a rainbow of fire, not just orange and yellow, but greens and blues, the heavens saturated with blazing pillars. Red clouds rose up, then settled upon the earth, building the mountain. Thick clods of burning stone burst forth, raining on the terrified people who had tried to save the sacred corn. Tongues of flame battled with lightning strikes that zigzagged across the sky. Streams of orange liquid ran in burning rivers, devouring everything. Had the villagers not moved a good distance away earlier, they would certainly have been consumed by the angry creature living beneath the earth.

Surely it was a sign that the People had been behaving badly.

A brightly-colored blue jay squawked and alighted onto a twisted branch above him. The bird jerked its head, glaring with an obsidian eye. The man smiled at the creature, then turned his thoughts back to the volcano, the place his father had instructed him to go. He glanced at the western sky. The journey from his village had taken several moons. It had been a difficult and lonely trek.

An animal’s howl reverberated off the stone slab on which he sat and melted away grisly visions of his village and the people he left behind.

He howled back, the sound indistinguishable from that of the animal. Moments later, a huge snow-colored kwewu bounded up the boulders to his side. The beast raised her snout and sniffed the air.

The man pointed to the northwest where he hoped to find the Volcano God’s home. “We will go that way, early in the morning.” He scratched the animal between the ears.

A short time later, he spread his bedroll in a shallow cave fronted by a dry wash and a small, twisted pinyon. He placed the bundle of carved sticks to his left and the shiny stone blade to his right. Clutching the leather bundle he wore on a thong around his neck, he silently renewed his promise to complete his quest and then prayed to the dead for their help.

When he finished, he stretched out in the soft sand, closed his eyes, and reached one last time for the blade. The kwewu turned in three circles before dropping down at his side.

Two men were crouched close by, silent behind a thick screen of prickly pear. The scarred one—the right side of his face bisected from forehead to chin, the result of a long-ago battle wound—had watched the man and animal go into a cave, unsure of whether the vision was real. The massive white creature was unlike any wolf he had ever seen. Its sleek, snowy fur and thickly muscled body seemed all the more incongruous because it walked beside the man. He, too, was different. Before the sun had set, the scarred one witnessed an odd light shining from the stranger’s eyes. He was exceptionally tall with fawn-colored skin. The two watchers nodded to one another and moved off to the far side of a short hill, careful to remain downwind, lest the animal catch their scents on the breeze.

The kwewu stirred and lifted her head. She raised her snout and sniffed at the breeze. A low, malevolent growl came from deep in her throat. In one motion, she rose and surged toward the sound.

She attacked the scarred watcher from behind, leaping onto the man’s back, knocking him to the ground. The warrior rolled and fought to protect himself, but was unable to reach the blade he wore secured in a sheath at his waist. The animal’s teeth tore a bloody gash in his forearm. He tried knocking the white wolf away, but her weight pinned him to the ground. The warrior forced his mind to slow as he faced the beast, keeping his chin down to protect his neck.

“No! No!” a voice called out. “Stop!”

Instantly, the wolf froze, pink drool oozing between lethally sharp teeth whose sole purpose was to rip flesh.

“Come!” the tall pale man ordered. But a moment later his world evaporated, a stone-headed club ending his attempt to call the animal off. A sickening thunk sounded and he rode the high-pitched cry of the kwewu into the darkness.

Chapter 2

Flagstaff, Arizona 2005

Kate Butler and Jack Cooper met in the lounge of the Hotel Monte Vista.

“I got the Bon Jovi Room.” She smiled, holding up the keycard to room 305. “It seems he once slept there.”

Cooper smiled and tried to remember the last time he’d seen Kate. “I’m in the Zane Grey Suite. There are copies of his book covers all over the walls—”

“I once read Riders of the Purple Sage.” Kate eyed the offerings behind the bar.

Cooper motioned to a twenty-something woman drying glasses. Even in late May, tinsel and brightly-colored Christmas lights decorated the room. A jukebox was positioned near one wall and a round glass machine filled with Reese’s Pieces sat on the bar. The dispenser delivered a handful of candy if fed a quarter. Humphrey Bogart’s sagging mug stared from a Casablanca poster.

After the drinks were delivered, Cooper sipped a twelve-year-old Scotch on the rocks. The Yuma County Deputy Sheriff leaned back on the stool. “How long has it been, Kate?”

“I can’t remember, Coop.” She sipped her beer from the bottle.

Cooper fingered the rim of his glass. “So, fill me in on your archeologist friend. Will Doctor—”

“Perkins. Dr. Perkins.” Kate didn’t notice she’d cut him off. Again.

“You didn’t let me finish.”

Kate dropped her head to her chest. “I’ve been trying to stop interrupting people, Coop.”

Cooper twirled the ice in his drink with a small red plastic straw, ice cubes clinking against the glass, and gave her a wry smile.

“Really! I’ve been practicing. Taking a breath. Pausing before I jump in.” The former television reporter seemed sincere.

“I’m guessing your well-honed ability to cut in served you well as a journalist.”

“Sometimes.” Kate’s blue eyes flashed. “Especially in press conferences. If you didn’t ask fast, your question didn’t get answered. But those one-on-one interviews were always hard for me because I—”

“Was always finishing other people’s sentences?” Cooper raised both eyebrows and leaned his chin on one hand. “Go on, Butler. Fill me in on what I’m doing here.”

Kate took a breath. “I’m in Flagstaff to work on a freelance magazine article. I thought you might be interested in doing some … research.”

Cooper grinned, admiring Kate’s simple white T-shirt, straight faded jeans, and well broken-in cowboy boots. A pair of silver earrings inlaid with turquoise and black onyx dangled down her neck. She was fibbing. “Is it my interest in archeology or something else?

Kate frowned and took a deep breath. Then she shrugged. “I’m still adjusting, Jack.”

“I can’t believe they fired you.”

“I’m too old.” Kate laughed, though she sounded sad. “I’m no longer pretty enough to be on the front end of a camera.”

“What about all those Emmys for investigative reporting, Kate?”

“They’re gathering dust in my closet. I just have to face it, Coop. Women broadcasters have a shelf-life, and, like a loaf of bread, mine has expired.”

He shook his head. “And then you missed me.”

She fiddled with the label on a sweating bottle of Coors.

When Kate didn’t respond, Cooper let her off the hook. “You mentioned something about a magician,”

“Yes!” The spark returned to her eyes. “But let me backtrack a little. I worked with Dr. Perkins on my last story, the one about the ballcourts.” Kate took a quick sip of chilled beer.

“I’ve read about ballcourts. As I recall, Native Americans in Central and South America played games with their enemies’ heads.”

“That depends on where they were playing. They think the ball game comes originally from Mesoamerica. In fact, when the early explorers arrived from Europe, they found the Indians playing with rubber balls, all decked out in their padded uniforms and helmets. An entire team was escorted back to Spain to play for the king and queen. And there’s evidence that some of those vanquished in the ball game did, in fact, lose their heads and had them booted around the court.”

“To the raucous cheers of the victors!” Cooper pumped his arm into the air.

“No doubt,” Kate said. “But here in the U.S., there’s nothing that points to that ever happening. In fact, for a long time, no one even thought there were any ballcourts here. Archeologists had only found them in Mexico and farther south. They’ve now identified almost two hundred ballcourts in Arizona, and there are probably many more. They’re really hard to find sometimes.”

“I’ve seen the one at Pueblo Grande Museum in Phoenix.” Cooper took another drink of Glenfiddich and pictured the anachronistic Hohokam ruin that rested near Sky Harbor Airport in the eastern section of the city. “It kind of looks like an oval swimming pool without the water.”

“That one is pretty typical. A ballcourt is a depression carved out of the ground and plastered with a stucco-type material to make the floor and sides smooth. But there are also some made of stone. The ballcourts average about eighty feet wide and are sometimes longer than a football field. The walls are about nine feet high. There are different types of goals at each end. Think basketball or hockey.”

Cooper smiled.

 “What?”

“I like your hair,” he said.

Kate reached up, tucking her shoulder-length auburn hair behind her ears.

“Back when you were covering the police beat for Channel 10 your hair was short. I liked that, too.” Cooper grinned. “When we get back to Phoenix, I want you to point out the guy who said you’re too old and not attractive enough to be on TV. I think I’ll have a friendly chat with him.”

Kate blushed. “Don’t do anything you’ll regret.”

“Of course not. Now, go on. Tell me more about this game.”

“From what we can tell, the players had to pass a ball, sometimes rubber or leather, or even stone, through the goal. Dr. Perkins is the one who took me out to Ridge Ruin to see the ballcourt.”

Kate remembered the day she’d learned about the man she was now unable to forget. The site of the ruin was about ten miles east of Flagstaff. Cold raindrops started to fall on the scattered junipers, their piney scent mixed with rain-dampened earth. The ground was rocky, a mixture of small chunks of red basalt and black cinders left from the eruption of the Sunset Crater Volcano almost nine hundred years earlier. But it was the man-made objects that had captured Kate’s imagination. Though the remains of Ridge Ruin had been backfilled to keep what was left of the pueblo hidden from view and safe from looters, the ground was littered everywhere with beautiful pottery fragments: potshards with ornate black-and-white patterns, pieces scattered everywhere that Kate knew she wasn’t even supposed to touch.

She looked at Cooper and lost her train of thought for a moment. After all those times she’d picked up the phone and put it down again, she’d finally called and invited him to join her. Was it a good idea? Maybe not.

“And?” Cooper rubbed his finger around the edge of the rocks glass.

“And … that day at Ridge Ruin, Dr. Perkins explained what little we really know about the ball game. I tried to imagine the people back then, excited, urging their favorite players on. And then he turned and pointed to the hill behind us. ‘That’s where The Magician was found,’ he told me. ‘Who?’ I asked. Then the rain started falling really hard and we bolted back to the truck. We’ll meet with Dr. Perkins tomorrow and see The Magician’s funerary objects.”

“I don’t want to bother you while you’re working,” Cooper said. “I see my role as faithful puppy, following around adoringly at your heels.”

His blue eyes twinkled. They perfectly matched his cashmere sweater. Jack Cooper was the best-dressed cop she’d ever met.

“Why don’t you tell me what you know about The Magician, so I can pretend to be your assistant.”

“I thought you were tired of undercover work, Coop.”

“Don’t want to let those valuable skills just rust away, darlin’.” He signaled to the barmaid for another round.

“No more beer for me,” Kate said. “I’ll have some tea. I have to work tomorrow.”

“However, I do not.” Cooper grinned and ordered their drinks.

A short time later, Kate filled her teacup from a round white pot. No sugar. No cream. Kate Butler, unlike her Irish ancestors, liked her tea—which she was as devoted to as much as any soda or coffee drinker was to his beverage of choice—black and straight.

“After Dr. Perkins pointed out The Magician’s burial place at Ridge Ruin that day in the rain, I forgot about it for a while. No, forgot isn’t the right word. I put him in the back of my head because I had the ballcourt story to write. And I had classes since I was working on my masters.”

“I’m proud of you.”

 “Proud?”

“Yes, Kate. Going back to school. Getting a master’s degree. Not an easy thing for an average middle-aged American.”

Kate frowned. “Let’s drop the middle-aged reference, shall we?”

Cooper patted her hand. “Tell me about The Magician.”

“I did some research to see if I could get the magazine to let me do a story on him,” Kate said. “I found a paper by John C. McGregor titled ‘Burial of an Early American Magicianthat was presented to the American Philosophical Society in 1943.”

“I think I’ve read about McGregor. He was an archeologist?”

“He was. He led the group that exhumed The Magician in 1939. So, he was there at the discovery of the tomb. I’m not sure of his official title at that time, but when he presented the paper, he was the Archeologist and Curator of Dendrochronology at the Museum of Northern Arizona.”

“Ah, dendrochronology.” Cooper sipped the single-malt Scotch. “Dating past events through the study of tree rings. Lots of rain—thick rings. Drought—thin rings. Archeologists count the rings to determine the tree’s number of growing seasons and the weather patterns during that time. Right?”

“Is there nothing you don’t know something about?”

“I am a Renaissance Man, Kate.” Cooper grinned.

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The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

WOLF CATCHER

Anne Montgomery

Historical Fiction/Suspense

TouchPoint Press

February 2, 2022

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

REVIEW COPIES OF WOLF CATCHER AVAILABLE UPON REQUEST

Contact: Chelsea Pieper, Publicity Manager, Media Liaison

Review/interview requests: media@touchpointpress.com

Pre-orders available here.

Learning to respect the dead

Wolf Catcher will be released by Touchpoint Press on February 2, 2022.

I’m not a religious person, so I have, in the past, missed signs around me that had spiritual implications. For example, when I was researching my novel Wolf Catcher—which will be released by TouchPoint Press on February 2, 2022–I didn’t understand how offensive some of my choices were in that regard.

Originally, I was hired to write a magazine article about the man they call The Magician. His fabulous, nine-hundred-year-old tomb had been uncovered by archeologists in 1939, beneath a pueblo on a lonely hillside about ten miles from Flagstaff, Arizona. Back in those days, no one thought anything of exhuming indigenous burial grounds, which now seems absurd. Logically speaking, there’s not much difference between rifling through the belongings of ancient mummies and digging up one’s modern-day grandmother. (Imagine collecting the jewelry from grandma’s body and selling her precious possessions on eBay.)  And yet, that’s what been happening world-wide over the last several centuries.

I remember the fanfare when the King Tut exhibit traveled across the US in 1979. I never considered that putting his funerary objects on display might have been disrespectful.

As a kid, I grew up going to the Museum of Natural History in New York, where burial offerings from around the world were often on exhibit. The practice seemed quite common and acceptable. But, while trying to determine who The Magician might have been, I discovered just how offensive it is to put human remains and funerary objects on display. My first hint was a letter my editor at the magazine received when I stupidly requested a DNA test on The Magician. My reasoning seemed sound. The Magician was described by those who found him as different from the people who buried him in several ways. He was particularly tall for his time and did not resemble the Native Americans who populated the region. He was said to have Caucasian facial features, so my first thought was how did a man who may have had some European ancestry make it to what would become the American Southwest almost one-thousand years ago.

My request for scientific analysis was met with a hard no from the Hopi tribal authorities. The Native American Graves Protection and Repatriation Act of 1990 stipulates that all remains and funerary objects must be treated with respect and dignity and that the destruction of any portion of a body—even something as seemingly insignificant as a tiny fleck of tooth for a DNA sample—is unacceptable and illegal.

At that point, I was so focused on getting my story done, that I didn’t really understand what the big deal was. Then, when I arrived to interview an archeologist I’d worked with previously, I was shocked when he didn’t appear. It would be another archeologist who would gently explain the problem. Archeologists, I learned, are bound by their relationships with Native American Tribes. If they want to dig on tribal or even public land, they must get permission. If they don’t follow the rules, they will be shut out, which would hurt their reputations as scientists and limit their ability to study. My investigation posed a threat to the man’s career, a risk he wasn’t willing to take.

This ancient pottery shard perhaps depicts a turtle or a man. It’s the one piece I kept, because it was harvested from a site that was being prepared for houses and I’d been given permission to take it.

While researching the story, I picked up a number of pottery shards. My logic was simple. I was on public land, so clearly I had committed no crime. But again, I was wrong. Those beautiful pieces of ancient fired clay, many so bright and vibrant they looked like they’d been painted yesterday, should never have been taken from their resting places, because once you’ve removed an artifact from its setting, you’ve destroyed its sense of time and place—it’s historical significance—something you can never get back.

After finishing Wolf Catcher, I found myself staring at those thousand-year-old bits of pottery and couldn’t pretend I hadn’t done something wrong. I spoke about my feelings with a friend who was a nondenominational pastor. She quickly responded that I should put the pieces back where I found them.

So, she and I traveled to Ridge Ruin where I gently returned the shards to the hillside. We stood on the rocky ground under which the pueblo lay hidden, having long ago been backfilled to protect it from looters. I stared at the spot where The Magician had been buried with such reverence all those years ago. My friend asked me to apologize for my mistake, which I did.

As I said earlier, I’m not a religious person, and yet, as we left that windswept hillside that held the remains of Ridge Ruin in its belly, I felt better. And I promised myself I would not make the same mistakes ever again.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

WOLF CATCHER

Anne Montgomery

Historical Fiction/Suspense

TouchPoint Press

February 2, 2022

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

REVIEW COPIES OF WOLF CATCHER AVAILABLE UPON REQUEST

Contact: Chelsea Pieper, Publicity Manager, Media Liaison

Review/interview requests: media@touchpointpress.com

Pre-orders available here.

How a sports reporter ended up writing about history

The fabulous, Palaeolithic cave paintings in Lascaux, France inspired my love of ancient history when I was a child.

I know exactly when my interest in ancient history was sparked. I recall a TV show that showcased fabulous 17,000-year-old cave paintings of animals in France, a program that inspired me to grab a hammer and chisel and head out into my Northern New Jersey garage. I was maybe 12, and can you really blame me for wanting to see what ancient people might have left inside the walls of my home? With visions of drawings and arrow points and pottery dancing in my head, I wailed away at that wall. That is until my mother arrived, her pointy-toed high heels clacking on the driveway. She gazed at me through black, cat eye glasses. It wasn’t until that moment that I sensed I might be doing something wrong. I dropped my tools and ran. The rest of the weekend I had to stand and watch my father as he repaired the damaged wall, muttering under his breath the whole time.

The Mesoamerican ballgame was a cross between basketball and ice hockey.

I have been fascinated by what happened long ago for over 50 years. How human lives have changed in myriad ways, but are the same in many others. It should come as no surprise then that I started writing about history. I was hired by Arizona Highways Magazine to research a story on Mesoamerican ballcourts. As I’d spent most of my professional life at that point as a TV sports anchor and reporter, asking me to write about an ancient ballgame made some sense. Turns out there are over 200 ballcourts in Arizona alone, a testament to the popularity of the contest, which looked a bit like basketball with participants padded rather similarly to modern-day ice hockey players.

It was while researching that story that I accidentally discovered the man they call The Magician. I remember the day I arrived at the lonely, high-desert site about ten miles from Flagstaff, Arizona. Cold raindrops started to fall on the scattered junipers, their piney scent mixed with that of dampened earth. The ground was a rocky mixture of small chunks of red basalt and black cinder left from the eruption of the Sunset Crater Volcano almost nine-hundred years earlier. Beautiful pottery fragments with intricate black-and-white designs littered the hillside. I was interviewing an archeologist from the Museum of Northern Arizona about the ballcourts when he pointed up the slope.

“That’s where they found The Magician,” he said, as if I might know who he was talking about.

It was while reseraching a story on ancient Mesoamerican ballcourts–this one at the Wupatki National Monument–that I learned about the man they call The Magician.

After some research, I wondered about the man and his fantastic grave that was discovered in 1939 and filled with over 600 exquisite funerary objects: arrow points and pots, mineral specimens and shells from the far-off Pacific Ocean. Fine turquoise jewelry, beaded items, paint pigments, baskets, and mosaics. Then, there were the wooden swords with handles carved into animal hooves and human hands, the objects that identified him as a sword swallower and a magician.

My novel, Wolf Catcher, which will be published by TouchPoint Press on February 2, 2022, tells two stories. One follows Kate Butler, a former TV reporter who’s no longer pretty enough to be on the front end of a camera. She’s turned to print reporting, but can’t get anyone to talk about the The Magician. Still, Kate, who has given up any dreams of a personal life to concentrate on her work, is determined to finish the job.

Kaya lives at the Village on the Ridge in the late 11th century, shortly after the waking of the Volcano God, whose eruption changed the lives of the people in the high desert. Some, like those on the Ridge, were blessed, while others were left to wander the landscape homeless and hungry. Kaya is a healer who, like Kate, has given up a personal life for her vocation. She is tasked with tending an odd-looking injured man who the People call Wolf Catcher. The massive white wolf that appears with him is both fascinating and frightening. Some believe the arrival of the two is a harbinger.

Wolf Catcher tells the modern-day story of a reporter’s quest to determine whether Europeans somehow arrived in the New World thousands of years earlier than previously believed, the problems associated with archeological looting and the black market sales of antiquities, and delves into personal choices and relationships, proving human beings have not changed all that much over the centuries.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

WOLF CATCHER

Anne Montgomery

Historical Fiction/Suspense

TouchPoint Press

February 2, 2022

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

REVIEW COPIES OF WOLF CATCHER AVAILABLE UPON REQUEST

Contact: Chelsea Pieper, Publicity Manager, Media Liaison

Review/interview requests: media@touchpointpress.com

Get your copy where you buy books.

Revisiting a most extraordinary New Year’s Eve

Every year for decades I have wondered whether the coming New Yera’s Eve celebration could top the one I experienced in 1976. So far, nothing’s come close. So, in honor of that long ago evening, I will share the story again.

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Vianden Castle is one of scores in Luxembourg, but it would be a castle in nearby France that would be the setting for an unforgettable New Year’s Eve.

Forty-six years ago, I faced a young man I had just met.

“Come with me,” he said.

I had arrived in Luxembourg, that wee country squeezed by Germany, France and Belgium, just two days earlier, the beginning of a six-month stint abroad at my university’s branch campus. I had been placed with Kurt and Margareta Schroeder: Swedes, two of the loveliest people I have ever met. Lennart was their son.

“She’s an old friend,” he explained about the woman who owned the castle. “Every New Year’s Eve we go there and celebrate.”

I did not, at that point, sense there was something he wasn’t telling me. Sweet Margareta, who would, over the course of my stay, squeeze me orange juice and provide fresh-baked bread and honey each morning, assured me that the short drive into France would be fun and that her blond, blue-eyed boy with the mass of unruly curls would take good care of me.

“Sure, I’ll go. What should I wear?”

“It’s a drafty, dirty old castle,” Lennart said. “Just wear jeans.”

Later, we drove past open fields and woodlands where trees stood naked and lacy, having long ago shed their leaves. Pewter clouds pressed from above. The chill made me glad to be wrapped in a turtleneck, heavy sweater, and ski jacket. My straight-legged Levi’s topped rugged hiking boots. As the countryside raced by, I wondered what a “dirty, old castle” might look like. I’d spent my life in New Jersey, a place pretty much devoid of castles of any kind.

Lennart turned onto a narrow road, like the rest, a quaint blend of forest and rolling pastures.

“This is part of the estate,” he said. “She inherited two thousand acres from her grandfather.”

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A six-foot, white marble sculpture depicting this famous scene of Washington crossing the Delaware incongruously rested halfway up the castle’s front stairs.

When he pulled onto the circular drive, I stared at the massive, two-story stone structure that was maybe four-hundred years old. As we mounted a wide, white stairway, I considered the odd placement of a sculpture that appeared to be George Washington and his men on their fabled crossing of the Delaware. The piece rested halfway up the staircase. I would soon learn that the statue’s haphazard placement was a remnant of the castle’s World War II occupation by Nazi officers who were caught amidst their attempts to steal artwork. The sculpture was left on the stairs as soldiers fled an attack by local French citizens and there it remained.

“The castle has sixty-four rooms,” Lennart said. “But we only use a few of them. It costs too much to keep the heat on.”

Marie greeted us in French and with two kisses, one on each check for Lennart. She eyed me quizzically. I couldn’t help but notice her modelesque frame squeezed into impossibly tight jeans. A scarlet, long-sleeved shirt similarly hugged her curves, revealing a hint of cleavage, and perfectly matching red lipstick highlighted her lips. Raven hair hung loose down her back. High, black heels clacked with each step.

My hiking boots suddenly felt heavy. My cuffed Levi’s a bit too rustic.

Marie chattered on with Lennart in French, one of five languages he conversed in fluently. “She doesn’t speak English,” he whispered.

My French was pathetic. I could read menus and road signs and order wine, if I had to. But I didn’t need to understand the language to see there was something between them.

Marie led us into a dining room where a long table was set with linens and crystal. A chandelier sparkled above, throwing shadowed light on 16th century paintings. Over the course of the evening, eight other Parisians would join us, not one of whom spoke English.

Multiple bottles of wine and champagne were uncorked. When we were all seated, a silver tray appeared from the kitchen bearing a massive fish. I wondered if poisson was the traditional New Year’s Eve repast, as I requested another serving. I didn’t notice I was the only one asking for seconds.

I was surprised when the next platter appeared. And even more so when subsequent others arrived. I knew, without being told, that to decline an offering would be rude. As I needed a pause before the next course circled the table, I was greatly appreciative when we ran out of wine and Lennart explained that we would have to trek to the cellar for more. One dark-haired, animated man–who I was told was a popular French comedian–led us through the castle’s murky halls and stairways. He started singing Gregorian chants, which seemed both fitting and a bit sacrilegious when we arrived at the family chapel, replete with alter and pews and cross. More than a bit tipsy, we joined him, our voices echoing off ancient stone walls.

We wound our way through the dark halls of the castle until we reached a wine cellar, where some bottles were over 100 years old.

We retrieved myriad dusty bottles of wine, some over 100 years old. As you might expect, much of the rest of the evening is a bit of a blur. But sometime later, I woke in a bedroom shrouded in shadow. I could hear the ticking of a grandfather clock and loud stomping. Boots hitting the floor over and over. But my wine-addled brain and warm covers precluded me from investigating.

The next morning, I asked Lennart if I could see the clock. He translated my request. Marie, tilted her head.

“The clock was removed from that room many years ago,” Lennart said.

I wondered if the Nazis were to blame, but I didn’t ask.

“And the stomping?” I waited while Lennart spoke with Marie.

“That is the German soldier,” he translated. “He was caught in the courtyard when the Nazis were fleeing. He was killed there. Later, Marie’s grandfather took the man’s skull and placed it in his library. The soldier has been marching around the castle at night ever since.”

I stared at Marie. Her shrug told me a stomping Nazi ghost was no big deal in an old French castle.

On the drive back to Luxembourg, Lennart would confess that he and Marie had dated for years. This was the first New Year’s Eve celebration they weren’t a couple. He knew she was seeing someone and didn’t want to go to the castle alone. He did not disuuade the others when they inquired if we were dating.

Over four-and-a-half decades of New Year’s Eve celebrations have passed since my trip into the French countryside, an evening filled with subterfuge, fabulous food, old wine, a stomping ghost, and an invisble grandfather clock.

I’m pretty sure nothing will ever top that.

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The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

WOLF CATCHER

Anne Montgomery

Historical Fiction/Suspense

TouchPoint Press

February 2, 2022

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

REVIEW COPIES OF WOLF CATCHER AVAILABLE UPON REQUEST

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