Who is creating these posts and more importantly why?

This picture ran with a story about a teacher who had been demoralized by the education system. The article was heartfelt and touching. The picture is fake. So is the story.

Do you ever actually check the Facebook pages of people who create posts you vehemently agree with? It’s so easy to scream. “Yeah! That’s exactly what I think!” and hit the share button, without considering where said clever piece of writing originated and why it was produced in the first place.

I did it myself recently with a story about a woman who spoke about losing the thrill of teaching as she sadly closed the door to her classroom for the last time. The story was well-written, but the fact that Mrs. Robinson, the teacher in question, lacked a first name or place of employment, and there was no identified writer was a tipoff that the piece was a fabrication. Still, the sentiment was spot on, especially when you consider that I spent 20 years teaching. I shared the story with the caveat that I while I understood the problems associated with the piece, I decided to pass it on, because I agreed with the comments within.

And it still bothers me.

Why? First, I was a reporter for about 15 years in both television and print. And like every other reporter out there, I wanted my name in big bold letters on the screen or at the top of my stories. A byline is the reason we’re out there. Our work is not supposed to be anonymous. Let’s face it, reporters—even back in the days before a handful were garnering huge paychecks for injecting their opinions into stories—have always wanted to take credit for their work.

Note that another story circulating recently cited a mother with Down’s syndrome who raised a woman who went on to become an astronaut. Wow! It was hard not to succumb to tears with that one. Still, since there are relatively few astronauts on the planet, it was easy to prove that the events depicted never occurred.  

So the question is why are unknown entities producing stories that are fictitious in order to get us to wantonly share them without thinking first. In the case of the teacher Mrs. Robinson, the Facebook page that appears to have produced it is called Things That Make you Think, a link that currently has 113,000 followers. There is no information about who might be at the helm of this site. All the posts appear to have AI generated photographs like the one above that are designed to draw sympathy from the reader. It’s probably a good bet that the story is also AI generated. The site is asking readers to subscribe, so in this case perhaps the incentive is purely financial. “Your support means the world. It helps us write more stories that heal the heart and stir the soul. Subscribe to “Things That Make You Think” to support our work—and unlock exclusive stories you won’t find anywhere else.”

Then there are the posts where famous people are doing or saying things that catch your eye. Like the one where Payton Manning escorts a boy with autism to his senior prom? Well, you’ve being conned again. This piece and others like it are fabricated. Why? I have no clue.

Here’s the thing. I love fictional stories. Gosh, I’ve written six traditionally published novels. I wouldn’t mind if the site explained that the stories are purely fiction, but the pieces are presented as true and I don’t like being lied to.

Other similar sites are clearly political. Both the right and left splash colorful, all-caps kinds of stories decrying the other side, utilizing often photoshopped and/or AI generated pictures and videos presented to make us angry. Maybe they’re hoping to shock you into handing over your credit card number. Consider Occupy Democrats, a site that back in 2022 was accused of raising $800,000 dollars for its so-called election fund, but donated none of the money to federal candidates and where a big chunk of that money went to one of the two brothers who run the site. Then there’s the Republican Tea Party Facebook page. The problem there is the link, teaparty.org, doesn’t exist, so is the site even affiliated with the political part of the same name? Do it’s 350,000 followers even care?  Their posts mirror those of Occupy Democrats, and while some of the facts included might be true, many times they’re exagerated and hyper-partisan, nothing more than click-bait to get readers enraged.

I just can’t stop wodering why real stories with real people and real facts composed by real writers aren’t enough. Perhaps we’re being intentionally desensitized to the truth, so that someday truth won’t matter.

That scares me.

Maybe it’s time we united and took a stand. If you think truth matters, join me and take a bit more time to read between the lines. Then think twice before hitting that share button.

Wolf Catcher

Anne Montgomery

Historical Fiction

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Amazon

Apple Books

Barnes and Noble

Google Books

Rakuten Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

Volcanoes: Symbols of destruction and life

The cinders of Sunset Crater Volcano “glow” because they are infused with iron oxide, which makes the mountain appear to be bathed in a sunset.

While researching my historical-fiction novel Wolf Catcher, which was recently rereleased by Next Chapter Publishing, I found myself immersed in volcanoes. The reason? The Sunset Crater Volcano, which rests outside of Flagstaff, Arizona, and is today a National Monument.

A cinder cone volcano is one of several types all of which form differently. In the case of the Sunset Crater Volcano, scientists believe it began erupting about 900 years ago. Had we been on hand for the big event, we would have noticed the ground shaking on and off in the weeks leading up to the eruption. Then the earth would have split open, emitting steam, and fire, and a cloud of ash that rose five miles into sky. As lightning zigged and zagged above the high desert, ash rained down on 800-square miles of land. After several weeks, or months, the cone grew to about 1,000 feet high, a loosely-packed amalgam of volcanic ash and reddish basalt cinders.

While today we understand the geological forces that birth a volcano, ancient people could only guess about what was happening beneath the earth. Luckily, The Sunset Crater Volcano has a modern-day sister who gives us a look into how witnesses might have assessed the eruption.

Paricutín is a cinder cone volcano just like the one at Sunset Crater. But this volcano, near the west coast of Mexico in the southern half of the country, erupted on and off between 1943 and 1952 in full view of the terrified inhabitants of the area. These documented reactions helped scientists studying the Sunset Crater Volcano discern how the Native Americans who peopled the high plateau may have reacted upon witnessing the event.

Here I will let some of the characters from Wolf Catcher explain.

“They were the same kind of volcanoes, right?” Cooper asked.

Marty nodded. “They are both cinder cones and they both gave the people ample warning that something was happening. No one in Paricutín died as a direct result of the eruption, and from what they’ve discovered so far, probably no one died here either. But let’s backtrack a little. It’s easy to know what happened at Paricutín. We have eyewitnesses. We know exactly when the eruption occurred. But at Sunset Crater, for a long time, there was no foolproof way to determine when the big event happened.”

“Is there now?” Kate asked.

“Well, that depends on who you talk to. I can tell you this. Before a Sinagua pithouse was discovered buried in the cinders, scientists had no idea the volcano was so young. They were able to date the pithouse using tree-rings and the pottery they found, and concluded that the eruption happened sometime in the late eleventh century. The ash from Sunset Crater fell over an area of nearly eight hundred square miles. In some places, just an inch, in others, it was fifteen feet deep. Just to give you a good idea of what that means, four inches of ash, especially if it’s wet, is enough to collapse a modern-day roof.”

“So, if you were caught up in the ash fall you were dead?” Cooper said.

“Theoretically, but as I explained, we haven’t found any bodies. And if we use the Paricutín model, we assume the people escaped in time. What we also know is that in Mexico the people were sure there was an angry god under the ground. In fact, they erected a row of big white Christian crosses in front of the lava flow to protect their villages from the creature.”

“Did it help?” Kate smiled.

Marty laughed. “I’m afraid the crosses did no good at all. Five villages were damaged, some destroyed, by the lava and ash.

It’s not much of a stretch to assume the ancestors of the Hopi who occupied the area around Sunset Carter Volcano may have, like the people at Paricutín, believed angry gods were at work and that some appeasement was in order.

What we do know is that the ash fall proved a benefit to those villages situated in just the right places, locations that received a few inches of ash, enough to fortify the soil and grow crops, while others lost their homes completely when many feet of ash destroyed the productivity of their land. Those forced from their homes might have fought desperately with those who benefitted from the eruption in order to survive.

Then there were those who were lured to the area in search of religious understanding. Who was the god? Why was he angry? What could the people do to pacify him? The Sunset Carter Volcano might have become a place of sacred pilgrimage.

It is into this fractured landscape that the man I call Wolf Catcher arrived.

Wolf Catcher

Anne Montgomery

Historical Fiction

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Amazon

Apple Books

Barnes and Noble

Google Books

Rakuten Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

Archaeological looting, a crime that hurts us all

One of the themes in my historical fiction novel Wolf Catcher, which was just rereleased by Next Chapter Publishing, is the problem of archaeological looting. Of course, this issue isn’t new. Humans have been rifling through ancient sites for thousands of years, mostly plundering burials for financial gain. But, before my reporting job took me to Arizona, I had little knowledge of the issue.

The state is vast, with a lasting history of the Native Americans who have populated this land for thousands of years. In the late 1800s grave robbing, especially in the western U.S., became the norm. The idea that the Native American culture was dying gave looters the ridiculous idea that stealing pottery, jewelry, and other funerary objects was perfectly fine, so the wonton destruction of ancient sites—looters have been known to employee backhoes and other large equipment to rip through pueblo dwellings and burials—is sadly common in the American Southwest.

While archaeological looting today is a crime, the law is very hard to enforce. Here I will let some of the characters in Wolf Catcher explain.

“How can this happen?” Kate asked.

Cooper placed his arm around her shoulders, all the levity and earnest excitement that had permeated their time at the site having evaporated into the chilled air. A thick bank of dark clouds blocked out the sun. “I have an idea that the problem of catching pothunters has to do with manpower, am I right?”

George spoke as he scanned the ground for evidence of looting. “Manpower is a great deal of the problem. First, the question is who is responsible for a specific site? A ruin could be on land controlled by National Park officers, Bureau of Land Management investigators, tribal authorities, U.S. Forest Service rangers, Bureau of Indian Affairs agents, or state investigators.”

“It sounds to me like you have too many people involved, not too few,” Kate said as she too searched the ground for clues.

“Consider this,” George said. “The BIA, which watches over about five hundred seventy tribes nationwide, currently has just one investigator assigned to looting. Here in Arizona, just two investigators cover looting on trust lands. That area covers nine million acres. BLM officers cover more than a million acres each.”

“The other problem is the sheer number of ruins,” Rebecca explained. “In Arizona, we have catalogued more than a hundred thousand sites, but most of them haven’t been inventoried, so we don’t even know what’s in them. How, then, can we know what’s missing?”

So manpower and vast areas of rugged wilderness make catching looters difficult. But prosecuting them is even more of a problem. The way the laws are written, those caught looting can play dumb and act as if they had no idea they were breaking the law. Often, they get off with little more than a warning.

Not only do we need to install harsher penalties for archaeological looting, we need to change the way we think about it. Looting is a crime against all of us, because once you’ve removed an artifact from its resting place, you’ve destroyed its sense of time and place. Our ability to understand its historical significance is then lost forever.

What can we do? Be very careful when you consider acquiring an ancient object. Even if it comes from a tony Scottsdale shop, ask about its provenance: Where and when was it harvested and by whom? And, when you’re out hiking, stop and think about picking up that pretty pottery shard or arrowhead. It’s best to admire the object then walk away.

Wolf Catcher

Anne Montgomery

Historical Fiction

Next Chapter Publishing

Released August 4, 2025

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archaeologists uncovered a 900-year-old tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by hundreds of extraordinary funerary objects, including wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man was a magician.

Sixty-five years later, investigative reporter Kate Butler discovers evidence that The Magician looked notably different from those who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon

Apple Books

Barnes and Noble

Google Books

Rakuten Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Praise for Wolf Catcher

“Blending archaeology and Native American mythology, “Wolf Catcher” by novelist Anne Montgomery is an original, exceptionally well written, and compelling work of historical fiction…” – Midwest Book Review

“The author’s ability to interweave the past and the present was masterful. The characters were complex and interesting, especially with the underlying theme of rethinking the history of worldly human migration … A real page turner and I am wondering when the movie is going to be made!” – Alicia Williams Goodreads

“The story is very well-paced, reaching a page-turning, action-packed climax to the end. This story has all the elements of a great suspense drama centered around a historical mystery.” – Heidi Slowinski Author

“I was deeply and thoroughly embroiled in this imaginative novel… (that) melds seamlessly much of fact with fiction. Totally recommended! “ – V. Williams Vine Voice

“What a journey! What a story! A truly epic tale that grabs you by a throat and moves your soul. Highly recommend for the readers of all age groups.” – Marina Sardarova Author

“Boy, didn’t this one grip me quickly and keep me glued to the pages! Loved the cliff-hanging chapter endings. Well researched, well-plotted and paced…Trust me, you’ll love it. Totally recommended and out now!” – Rosepoint Publishing

“Once again the author has created a beautiful story with a powerful message. She took a piece of history and brought it to life. I just can’t say enough good things about Wolf Catcher.” – Megan Salcido Wildwood Reads

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

A lesson learned: The dead and their funerary objects need to be respected

When I was asked by Arizona Highways Magazine to write an article about the man they call The Magician, I didn’t understand that I might be trampling on Native American religious beliefs. (Illustration by Brad Holland)

I’m not a religious person, so I have, in the past, missed signs that had spiritual implications. For example, when I was researching my novel Wolf Catcher—which was just rereleased by Next Chapter Publishing—I didn’t understand how offensive some of my requests were.

I was hired to write a magazine article about the man they call The Magician. His fabulous, nine-hundred-year-old tomb had been uncovered by archaeologists in 1939, beneath a pueblo on a lonely hillside about ten miles from Flagstaff, Arizona. Back in those days, exhuming indigenous burial grounds was an acceptable practice, which now seems absurd. Logically speaking, there’s not much difference between rifling through the belongings of ancient mummies and digging up one’s modern-day grandmother. Imagine collecting jewelry from grandma’s body and selling her precious possessions on eBay.  

As a kid, I sometimes visited the Museum of Natural History in New York, where burial offerings from around the world were often on exhibit. However, while trying to determine who The Magician might have been, I discovered just how offensive it is to put human remains and funerary objects on display. My first hint was a letter my editor at the magazine received when I ignorantly requested a DNA test on The Magician. My reasoning seemed sound. The Magician was described by those who found him as being physically different from the people who buried him in several ways. He was particularly tall for his time and did not resemble the Native Americans who populated the region. He was said to have some Caucasian facial features, so my first thought was how did a man who may have had some European ancestry make it to what would become the American Southwest almost one-thousand years ago.

My request for scientific analysis was met with a hard no from the Hopi tribal authorities. The Native American Graves Protection and Repatriation Act of 1990 stipulates that all remains and funerary objects must be treated with respect and dignity and that the destruction of any portion of a body—even something as seemingly insignificant as a tooth for a DNA sample—is unacceptable and illegal.

At that point, I was so focused on getting my story done, I didn’t understand why my request for scientific testing was such a big deal. Then, when I arrived to interview an archaeologist I’d worked with previously, I was shocked when he didn’t appear. It would be another archaeologist who would gently explain the problem. These scientists are bound by their relationships with Native American tribes. If they want to dig on tribal or even public land, they must get permission. If they don’t follow the rules, they will be shut out, which would hurt their reputations and limit their ability to work. My investigation posed a threat to the man’s career, a risk he wasn’t willing to take.

While researching the story, I picked up a number of pottery shards. My logic was simple. I was on public land, so clearly I had committed no crime. But again, I was wrong. Those beautiful pieces of ancient fired clay, many so bright and vibrant they looked as if they’d been painted yesterday, should never have been taken from their resting places, because once you’ve removed an artifact from its setting, you’ve destroyed its sense of time and place—it’s historical significance—something you can never get back.

After finishing Wolf Catcher, I found myself staring at those thousand-year-old bits of pottery and couldn’t pretend I hadn’t done something wrong. I spoke about my feelings with a friend who was a nondenominational pastor. She quickly responded that I should put the pieces back where I found them.

She and I traveled to Ridge Ruin where I gently returned the shards to the hillside. We stood on the rocky ground under which the pueblo that housed The Magician’s body lay hidden, having long ago been backfilled to protect it from looters. I stared at the spot where the man had been buried with such reverence all those years ago. My friend asked me to apologize for my mistake, which I did.

As I said earlier, I’m not a religious person, and yet, as we left that windswept hillside that held the remains of Ridge Ruin in its belly, I felt better. And I promised myself I would not make the same mistakes again.

If you’d like to learn more about my quest to understand who The Magician might have been and what his world was like, read my novel Wolf Catcher.

Wolf Catcher

Anne Montgomery

Historical Fiction

Next Chapter Publishing

Released August 4, 2025

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archaeologists uncovered a 900-year-old tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by hundreds of extraordinary funerary objects, including wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man was a magician.

Sixty-five years later, investigative reporter Kate Butler discovers evidence that The Magician looked notably different from those who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon

Apple Books

Barnes and Noble

Google Books

Rakuten Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Praise for Wolf Catcher

“Blending archaeology and Native American mythology, “Wolf Catcher” by novelist Anne Montgomery is an original, exceptionally well written, and compelling work of historical fiction…” – Midwest Book Review

“The author’s ability to interweave the past and the present was masterful. The characters were complex and interesting, especially with the underlying theme of rethinking the history of worldly human migration … A real page turner and I am wondering when the movie is going to be made!” – Alicia Williams Goodreads

“The story is very well-paced, reaching a page-turning, action-packed climax to the end. This story has all the elements of a great suspense drama centered around a historical mystery.” – Heidi Slowinski Author

“I was deeply and thoroughly embroiled in this imaginative novel… (that) melds seamlessly much of fact with fiction. Totally recommended! “ – V. Williams Vine Voice

“What a journey! What a story! A truly epic tale that grabs you by a throat and moves your soul. Highly recommend for the readers of all age groups.” – Marina Sardarova Author

“Boy, didn’t this one grip me quickly and keep me glued to the pages! Loved the cliff-hanging chapter endings. Well researched, well-plotted and paced…Trust me, you’ll love it. Totally recommended and out now!” – Rosepoint Publishing

“Once again the author has created a beautiful story with a powerful message. She took a piece of history and brought it to life. I just can’t say enough good things about Wolf Catcher.” – Megan Salcido Wildwood Reads

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

The problem with history: Who did “discover” America?

Every school child in the U.S. is taught that Columbus discovered America. But we now understand that, long before Columbus, land and sea travelers were coming to America’s shores.

Every time I tried to determine if an 11th century man with Eurasian ancestors had inhabited what would one day be the American Southwest, the same problem kept cropping up. I was thwarted by history books. “In 1492 Columbus discovered America!” School children in the U.S. have been taught this one-sided “fact” since the beginning of our nation’s founding.

Today, most of us understand people were in the Americas for thousands of years before Columbus led his three little ships toward what Europeans would call the New World. Note that archeological and genetic evidence currently put the date somewhere between 16,000 and 25,000 years. So the Americas had long since been discovered by humans when Columbus touched down in what is today the Bahamas.

Humans probably first approached the Americas during the last ice age, a time when low sea levels exposed a land bridge at what is now the Bering Strait between Russia and Alaska, perhaps pursuing big game across the isthmus. These hunter-gatherers would eventually populate the Americas from end-to-end, some establishing advanced civilizations which rivaled any cultures on Earth, ones that excelled in mathematics, astronomy, engineering, architecture, and the arts.

But history is rarely clear-cut. When I was researching The Magician—whose burial was discovered just east of Flagstaff, Arizona in 1939—I kept getting hung up on the fact that he didn’t look like the people who populated the high desert at the time. While I understand that ascribing features to mummified individuals is not an exact science, his height and facial structure seemed unlike the Hopi ancestors who so reverently placed him in a remarkable tomb bearing 600 funerary objects, one that’s been called the richest burial in the history of the American Southwest.

I wondered then if there might have been other outliers. Descendants of Eurasians who managed to make it to the Americas many millennia ago, perhaps in such such small numbers they were rarely if ever noticed. I would discover that possibility in two ways. One involved fabric and the other a rare burial practice.

It began with a discovery in the late 1980’s when strange, perfectly preserved mummies appeared in a remote desert area of China. Inordinately tall with reddish-brown hair, the Tarim mummies bore little resemblance to modern-day Chinese people and gave credence to stories of what many supposed were just myths about towering people with blue or green eyes, full beards, long noses and red or blond hair. Some wore tartan or plaid created on sophisticated looms, a textile type that was similar to ancient fragments located in present-day Austria. And there was another curious thing. These desert dwellers buried their dead in boats, an exceedingly rare custom, one mostly associated with Vikings. DNA studies showed the mummies were in fact Ancient North Eurasians—a genetic mix of Asian and European peoples—a group of hunter-gathers once wide-spread, but who mostly disappeared 10,000 years ago. Today, the only remaining traces of Ancient North Eurasians are in Indigenous people in Siberia and the Americas.

So, might The Magician’s ancestors have come from these people? Of course, it is impossible to know. However, the genetic mixing of our ancient ancestors is undeniable. Certainly, inherited traits could have trickled down through the generations, periodically producing people who looked different than those around them. A case in point is the scientific research into blue-eyed humans. Studies now indicate that all people with this trait are descended from a single ancestor, one with a genetic mutation which occurred between 6,000-10,000 years ago. Today between 8-10% of people world-wide have blue eyes.

While we will never know why The Magician was different from his peers, we do know he was a highly revered individual, one whose interment was extraordinary and which in hindsight should have been left undisturbed. Today, archeologists do not dig up remains and funerary objects and put them on display, since it’s morally reprehensible. And according to the Native American Graves Protection and Repatriation Act, it’s a crime.

Though back in 1939 The Magician was unearthed and placed in a museum, today he and his funerary objects have been returned to the ground, reburied in a secret place, with the same honor and reverence the Hopi ancestors afforded him all those years ago.

If you’d like to learn more about the man they called The Magician, I encourage you to read my book Wolf Catcher, which not only delves into the hunt for who he might have been, but also shines a light on life in the high desert almost a millennia ago.

Wolf Catcher

Anne Montgomery

Historical Fiction

Next Chapter Publishing

Released August 4, 2025

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archaeologists uncovered a 900-year-old tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by hundreds of extraordinary funerary objects, including wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man was a magician.

Sixty-five years later, investigative reporter Kate Butler discovers evidence that The Magician looked notably different from those who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Universal Book Link

Amazon

Apple Books

Barnes and Noble

Google Books

Rakuten Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Praise for Wolf Catcher

“Blending archaeology and Native American mythology, “Wolf Catcher” by novelist Anne Montgomery is an original, exceptionally well written, and compelling work of historical fiction…” – Midwest Book Review

“The author’s ability to interweave the past and the present was masterful. The characters were complex and interesting, especially with the underlying theme of rethinking the history of worldly human migration … A real page turner and I am wondering when the movie is going to be made!” – Alicia Williams Goodreads

“The story is very well-paced, reaching a page-turning, action-packed climax to the end. This story has all the elements of a great suspense drama centered around a historical mystery.” – Heidi Slowinski Author

“I was deeply and thoroughly embroiled in this imaginative novel… (that) melds seamlessly much of fact with fiction. Totally recommended! “ – V. Williams Vine Voice

“What a journey! What a story! A truly epic tale that grabs you by a throat and moves your soul. Highly recommend for the readers of all age groups.” – Marina Sardarova Author

“Boy, didn’t this one grip me quickly and keep me glued to the pages! Loved the cliff-hanging chapter endings. Well researched, well-plotted and paced…Trust me, you’ll love it. Totally recommended and out now!” – Rosepoint Publishing

“Once again the author has created a beautiful story with a powerful message. She took a piece of history and brought it to life. I just can’t say enough good things about Wolf Catcher.” – Megan Salcido Wildwood Reads

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

How a sports reporter ended up writing about history

The fabulous, Palaeolithic cave paintings in Lascaux, France inspired my love of ancient history when I was a child.

This is my 500th blog! Which is shocking. I could never have imagined back in 2017 that eight years later I’d still be at it. Since I like telling stories and enjoy the process, I guess you’re stuck with me.

I know exactly when my interest in ancient history was sparked. I recall a TV program that showcased fabulous 17,000-year-old cave paintings of animals in Lascaux, France, drawings that inspired me to grab a hammer and chisel and head out into my Northern New Jersey garage. I was maybe 12, and can you blame me for wanting to see what ancient people might have left inside the walls of my home? With visions of paintings and arrow points and pottery dancing in my head, I hammered away at that wall. That is until my mother arrived, pointy-toed high heels clacking on the driveway. She gazed at me through black, cat eye glasses. It wasn’t until that moment that I sensed I might be doing something wrong. I dropped my tools and ran. The rest of the weekend I had to stand and watch my father as he repaired the damaged wall, muttering under his breath the whole time.

The Mesoamerican ballgame might have looked like a cross between basketball and ice hockey.

I have been fascinated by what happened long ago for almost 60 years. How human lives have changed in myriad ways, but are the same in many others. Still, history was far from my regular world where I spent much of my time involved with sports as both a journalist and an amateur official.

Still, it was my involvment in sports that gave me my first opportunity to write about history. I was hired by Arizona Highways Magazine to research a story on Mesoamerican ballcourts. It turns out there are over 200 ballcourts in Arizona alone, a testament to the popularity of the contest, which looked a bit like basketball with participants padded rather similarly to modern-day ice hockey players.

It was while researching that story that I accidentally discovered the man they call The Magician. I remember the day I arrived at the lonely, high-desert site about ten miles from Flagstaff. Cold raindrops fell on scattered junipers, their piney scent mixed with that of dampened earth. The ground was a rocky mixture of small chunks of red basalt and black cinder left from the eruption of the Sunset Crater Volcano almost 900-hundred years earlier. Beautiful pottery fragments with intricate black-and-white designs littered the hillside. I was interviewing an archeologist from the Museum of Northern Arizona about the ballcourts when he pointed up the slope. “That’s where they found The Magician,” he said.

It was while reseraching a story on ancient Mesoamerican ballcourts–this one at the Wupatki National Monument–that I learned about the man they call The Magician.

Later, I looked into the discovery. The fantastic grave was uncovered in 1939 and filled with over 600 exquisite funerary objects: arrow points and pots, mineral specimens and shells from the far-off Pacific Ocean. Fine turquoise jewelry, intricate beaded items, paint pigments, baskets, and mosaics. Then, there were the wooden swords with handles carved into animal hooves and human hands, objects that identified the man as a sword swallower and a magician.

My novel Wolf Catcher tells two stories. One follows Kate Butler, a former TV reporter who’s no longer pretty enough to be in front of a camera. She’s turned to print reporting, but can’t get anyone to talk about the The Magician. Still, Kate, who has given up any dreams of a personal life to concentrate on her work, is determined to finish the job. Kate’s story mirrors my own, with the exception of the time when bullets are flying.

Kaya lives at the Village on the Ridge in the late 11th century, shortly after the waking of the Volcano God, whose eruption changed the lives of the people in the high desert. Some, like those on the Ridge, were blessed, while others were left to wander the landscape homeless and hungry. Kaya is a healer who, like Kate, has given up a personal life for her vocation. She is tasked with tending an odd-looking injured man who the People call Wolf Catcher. The massive white wolf that appears with him is both fascinating and frightening. Some believe the arrival of the two is a harbinger.

Wolf Catcher tells the modern-day story of a reporter’s quest to determine whether the descendants of ancient Euroasian people somehow arrived in the New World thousands of years earlier than previously believed and discusses the problems associated with archeological looting and the black market sales of antiquities. It also delves into personal choices and relationships, proving human beings have not changed all that much over the centuries.

Wolf Catcher

Anne Montgomery

Historical Fiction

Next Chapter Publishing

Released August 4, 2025

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archaeologists uncovered a 900-year-old tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by hundreds of extraordinary funerary objects, including wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man was a magician.

Sixty-five years later, investigative reporter Kate Butler discovers evidence that The Magician looked notably different from those who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

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Praise for Wolf Catcher

“Blending archaeology and Native American mythology, “Wolf Catcher” by novelist Anne Montgomery is an original, exceptionally well written, and compelling work of historical fiction…” – Midwest Book Review

“The author’s ability to interweave the past and the present was masterful. The characters were complex and interesting, especially with the underlying theme of rethinking the history of worldly human migration. A real page turner and I am wondering when the movie is going to be made!” – Alicia Williams Goodreads

“The story is very well-paced, reaching a page-turning, action-packed climax to the end. This story has all the elements of a great suspense drama centered around a historical mystery.” – Heidi Slowinski Author

“I was deeply and thoroughly embroiled in this imaginative novel… (that) melds seamlessly much of fact with fiction. Totally recommended! “ – V. Williams Vine Voice

“What a journey! What a story! A truly epic tale that grabs you by a throat and moves your soul. Highly recommend for the readers of all age groups.” – Marina Sardarova Author

“Boy, didn’t this one grip me quickly and keep me glued to the pages! Loved the cliff-hanging chapter endings. Well researched, well-plotted and paced…Trust me, you’ll love it. Totally recommended and out now!” – Rosepoint Publishing

“Once again the author has created a beautiful story with a powerful message. She took a piece of history and brought it to life. I just can’t say enough good things about Wolf Catcher.” – Megan Salcido Wildwood Reads

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

A reason to celebrate! Wolf Catcher, my most personal book, is now available

Here’s the new cover for my historical fiction novel Wolf Catcher. It’s rather edgy and cool, and a handful of you might recognize the title, because this book came out years ago. However, my life didn’t go exactly as planned back then, so few people ever read the story.

Here’s what happened.

Launch day for an author is huge. Like a wedding, or a milestone anniversary, or celebrating a 100th birthday. Authors plan for these events by locating venues, sending out invitations, courting the media, and soliciting reviews. Then we agonize over the details and hope everything goes as planned.

So imagine when a week before the scheduled launch of my suspense novel The Castle I awoke with Covid. I could barely move. I even hallucinated. The one delusion I still remember is, perhaps, understandable since I’m a writer. I was searching for the answer to a question I don’t recall and was being attacked by words and phrases, none of which gave me what I was looking for. The faster I batted those words away, the quicker they came at me. I felt like a tennis player at Wimbledon. It was like being imprisoned in a vicious writer’s video game.

But that wasn’t the worst part. I got out of bed, walked into the bathroom, and promptly passed out. When I woke up, I tried to stand, but my left leg wouldn’t work. I looked down, saw my foot twisted in the wrong direction, and slowly crawled back to bed. It would be eight months before I could walk properly again. I carry a titanium plate and eleven screws in my leg as a reminder.

So, remember that launch for The Castle? It never happened. As you can imagine, few ever read the book. And, in a sad twist, another novel, Wolf Catcher, came out during the same period and suffered the same fate. There’s a window of opportunity for promoting books, moments that slipped by. Then, the books went out of print when the publisher closed.

But now I’ve been given a another chance. I can’t thank Next Chapter Publishing enough for taking on both Wolf Catcher and The Castle. Do overs are not that common in the publishing industry, so I will be forever grateful for the opportunity.

Of all my books, Wolf Catcher—which was released August 7, 2025—is the most personal. One of the protagonists is a reporter tasked with ferreting out the identity of a man buried outside of Flagstaff, Arizona almost 900 years earlier. A man whose mummified remains looked different from the people who occupied the area at the time, one who was buried with 600 exquisite funerary objects, identifying him as a person of power and prestige.

The story of the man they call The Magician was my assignment when I worked as a journalist for Arizona Highways Magazine. That the reporter’s name in the book is Kate Butler might be a tipoff that she and I traveled the same path in search of the story. With the exception of the time when bullets are flying, just about everything that happened to Kate also happened to me.

Note that as a girl who grew up in New Jersey with little knowledge of Native Americans, the investigation was a long learning curve. I charged into my research with little understanding of the cultural traditions I might be trampling and, like Kate, changed a lot along the way.

So, if you weren’t one of the few who had a chance to read Wolf Catcher you can now.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archaeologists uncovered a 900-year-old tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by hundreds of extraordinary funerary objects, including wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man was a magician.

Sixty-five years later, investigative reporter Kate Butler discovers evidence that The Magician looked notably different from those who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Note: Ebooks are available on all sites. Paperbacks and hardcovers will be out shortly.

Universal Book Link

Amazon

Apple Books

Barnes and Noble

Google Books

Rakuten Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Praise for Wolf Catcher

“Blending archaeology and Native American mythology, “Wolf Catcher” by novelist Anne Montgomery is an original, exceptionally well written, and compelling work of historical fiction…” – Midwest Book Review

“The author’s ability to interweave the past and the present was masterful. The characters were complex and interesting, especially with the underlying theme of rethinking the history of worldly human migration … A real page turner and I am wondering when the movie is going to be made!” – Alicia Williams Goodreads

“The story is very well-paced, reaching a page-turning, action-packed climax to the end. This story has all the elements of a great suspense drama centered around a historical mystery.” – Heidi Slowinski Author

“I was deeply and thoroughly embroiled in this imaginative novel… (that) melds seamlessly much of fact with fiction. Totally recommended! “ – V. Williams Vine Voice

“What a journey! What a story! A truly epic tale that grabs you by a throat and moves your soul. Highly recommend for the readers of all age groups.” – Marina Sardarova Author

“Boy, didn’t this one grip me quickly and keep me glued to the pages! Loved the cliff-hanging chapter endings. Well researched, well-plotted and paced…Trust me, you’ll love it. Totally recommended and out now!” – Rosepoint Publishing

“Once again the author has created a beautiful story with a powerful message. She took a piece of history and brought it to life. I just can’t say enough good things about Wolf Catcher.” – Megan Salcido Wildwood Reads

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

A note to young female athletes: Sportsmanship matters!

I love that more girls are playing sports, I’m just worried they might be picking up some bad habits.

Recently, I was on the treadmill at the health club when I looked up and saw the Little League Softball Regionals airing live on ESPN.

How cool is that?

And, yet, I was dismayed. Don’t get me wrong. The sudden rise in interest for girls and women’s sports is fantastic and took a long time coming. That the 2024 NCAA women’s basketball championship game had more eyes on it than the men’s final was a stunning change. WNBA attendance and viewership is at an all-time high. More girls are playing sports than ever before, and the idea of girls as fierce competitors has, for the first time, become socially acceptable.

And this is all good. When girls play a sport—especially a team sport—they learn important life skills, like punctuality, teamwork, and how to follow rules. Sports promote physical fitness, self-esteem, and reduce stress. Did you know that 94% of women holding C-suite positions played sports?

And yet, as I watched those preteens play softball, I couldn’t help being a bit disheartened, because it seemed that every time a girl made a good play, she punctuated the act with a dancing display, complete with finger pointing, twirling, and stomping.

And that’s when I remembered the quote that has been attributed to Green Bay Packers coach Vince Lombardi. “When you get to the endzone, act like you’ve been there before.”

I know what you’re thinking. “Gosh, Anne! Can’t the girls have a little fun?”

Sure, but the time for celebrating is when the game is over. I have no qualms with players jumping into each other’s arms and pumping fists into the air after they’ve won. But one young pitcher “performed” after every strikeout. A nice double into the gap had another girl on second base jumping up and down and pointing at herself. And so it went.

When did it become okay for young athletes to belittle the opposing team? Because, don’t kid yourself, that’s what’s happening here. The girls doing all the dancing were shutting out their opponents and went on to win 7-0. I’m guessing the losing team felt bad enough without having their noses rubbed in it.

Before I go on, note that I spent 40 years officiating amateur sports, mostly football and baseball, so my experience has been primarily with male athletes. The propensity to glorify oneself during a game has become more common, no doubt a trickle-down effect from watching pro players prance around after making a good play. I suppose if you’ve made it to the point where you’re getting paid to put on your gear, you can do what you want, but most athletes will only participate in youth sports and all this self-aggrandizement is missing the point.

I am reminded of football great Larry Fitzgerald, the Cardinals wide receiver and the sure-to-be Hall of Famer who, after making the most spectacular catches, would seek out the nearest official and just hand them the ball. No dancing. No high fives. No previously choreographed displays. He just let his talent do the talking.

That is what sports should be about.

So maybe a little less patting yourselves on the back, ladies. Let your skills speak for you. Take pride in your performance, but let the game be the spectacle. Your awkward displays do nothing but make you look like poor sports.

Your Forgotten Sons

Inspired by a true story

Anne Montgomery

Bud Richardville is inducted into the Army as the United States prepares for the invasion of Europe in 1943. A chance comment has Bud assigned to a Graves Registration Company, where his unit is tasked with locating, identifying, and burying the dead. Bud ships out, leaving behind his new wife, Lorraine, a mysterious woman who has stolen his heart but whose secretive nature and shadowy past leave many unanswered questions. When Bud and his men hit the beach at Normandy, they are immediately thrust into the horrors of what working in a graves unit entails. Bud is beaten down by the gruesome demands of his job and losses in his personal life, but then he meets Eva, an optimistic soul who despite the war can see a positive future. Will Eva’s love be enough to save him?

Amazon

Apple Books

Barnes & Nobel

Google Books

Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

Breeding baby corals so we can all breathe free

This almost 400-year-old plantation site on St. Croix in the U.S. Virgin Islands is home to a laboratory designed to cultivate coral and return it to the sea, an effort to help restore our Caribbean coral reefs.

The sign on the dirt road read “Estate Little Princess Established 1738”. The 25-acre plot which lies just west of Christiansted on the St. Croix coast was once a sugar plantation. You can still see the tall sugar mill—one of about 100 that dot the island—a testament to the liquid treasure of the rum industry, wealth made on the backs of the almost 29,000 African slaves that were transported to what are today the U.S. Virgin Islands during the Danish Colonial Period.

The beauty of the place is overwhelming with its flashy green flora and scarlet Flamboyant trees. Not that the most important residents would notice. The tiny corals that reside in special protected tanks lie placidly, waiting for their chance to be released into the sea.

“You see this?” Our guide, Semoya Phillips of the Virgin Islands Coral Innovation Hub, pointed at a large chunk of coral partway up the side of the property’s sugar mill. “It was gouged out of the reef because building material was needed. The people believed it was a renewable resource.”

And while coral does grow back, the process is painstakingly slow. That’s why the Nature Conservancy helps fund the lab facility. Here’s how they explain it on their website: “The Nature Conservancy and partners are advancing coral science to help reefs recover at a meaningful scale. Using our land-based and underwater nurseries, we are innovating ways to breed significantly more corals, with greater survival rates, for reef restoration. Novel techniques allow us to dramatically increase coral growth and preserve coral genetic diversity for improved reef resilience. Healthy new corals are then used to bring dying reefs back to life and restore the benefits they provide for our ocean, communities and economies.”

Semoya Phillips, who works at the Virgin Islands Coral Innovation Hub, points out coral that was used as building material for a sugar mill that was constructed hundreds of years ago.

Some of you may be thinking, “Gosh! Why should I care about coral reefs?”

Here’s the thing. Do you like to breathe? Note that our oceans produce 50% of the oxygen in our atmosphere. And coral reefs do their part because they house algae called zooxanthellae that convert carbon dioxide and water into energy through photosynthesis and—bada bing bada boom—release oxygen into the atmosphere.

And there’s more! When those big bad hurricanes come roaring ashore, it’s coral reefs that slow the water down, lessening the damage from storm surge. Twenty-five percent of the world’s fish grow up in the protective nooks and crannies of coral reefs before venturing out to sea—think Finding Nemo—with over 4,000 species dependent on coral reefs at some point in their fishy lives. So, with about 500 million people dependent on fish for food, the decimation of coral reefs could cause worldwide starvation. And let’s not forget the benefits of ecotourism. In the interest of full transparency, I’m a scuba diver and can think of nothing more delightful than floating above a shimmering reef watching jewel-colored fishes dancing in the sunlight.

So, yes, we need to do all we can to save our reefs, which are dying off at unprecedented rates due to warming seas cause by climate change. The rising temperatures force the corals to expell the algea that give them their beautiful colors, bleaching that often leads to the death of the colony. Pollution, over fishing, and costal development, among other things, are also destoying the reefs.

Currently, researchers like Phillips are cloning corals they retrieve from the sea giving them space and time to grow and then transplanting them back into the ocean. It’s a time consuming and arduous task, one that often results in the little creatures dying off again. And still, they try.

Don’t these coral babies look like cookies? The little ones will hopefully someday be returned to the sea in an effort to restore our coral reefs.

“I know, like parents, we’re not supposed to pick favorites,” Phillips said with a smile. “But …” She nodded at a tank that held a different type of coral babies. “These are not clones.”

The tiny corals in question were bred from sperm and eggs that are released once a year by the millions, a synchronized dance which often occurs in conjunction with a full moon. They are then gently gathered up by divers and moved to the lab tanks for fertilization.

“They provide diversification,” Phillips explained.

And that’s important, because diversity will help the corals be more resilient and better able to stave off disease. There’s also hope that corals might be developed that can thrive in the warming waters of our world’s oceans.

The effort to regrow coral can be disheartening. At one St. Croix underwater site where researchers spent three years establishing a coral nursery, 67% of the babies were wiped out in a matter of weeks, which prompted me to ask, what’s the point?

“Coral’s have been around for a very long time. Bleaching is recent,” Phillips said. “But people worldwide are studying this modern problem looking for solutions.” She gazed again at the coral babies in a glimmering tank and smiled. A scientist with hope.

Here’s hoping we find a lot more like her.  

Your Forgotten Sons

Inspired by a true story

Anne Montgomery

Bud Richardville is inducted into the Army as the United States prepares for the invasion of Europe in 1943. A chance comment has Bud assigned to a Graves Registration Company, where his unit is tasked with locating, identifying, and burying the dead. Bud ships out, leaving behind his new wife, Lorraine, a mysterious woman who has stolen his heart but whose secretive nature and shadowy past leave many unanswered questions. When Bud and his men hit the beach at Normandy, they are immediately thrust into the horrors of what working in a graves unit entails. Bud is beaten down by the gruesome demands of his job and losses in his personal life, but then he meets Eva, an optimistic soul who despite the war can see a positive future. Will Eva’s love be enough to save him?

Amazon

Apple Books

Barnes & Nobel

Google Books

Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon

A walk and a song: For your health

Spinal fusion surgery affected my singing voice, but I’m walking to make it better.

I like to sing. Always have. But I haven’t done much of it lately.

Here’s why. About a year ago, I underwent cervical spine fusion. A surgeon implanted two titanium clips in my spine through the front of my neck. Sounds fun, doesn’t it? My metal bits look sort of like those clasps you’d use to hold a bunch of papers together, or in my case to make sure that chips bag stays tightly sealed. 

As I love a good story, I remember prior to the surgery I said to the doc, “Could you give me a scar that looks like I was in a biker-girl barfight?”

He squinted, then shook his head. “No!”

So, today, geez, I have nothing cool to show for the operation. In case you’re wondering, my wonky spine is the result of 60 years of sports. Remember when they told us sports were good for us? They lied! And if I could figure out exactly who “they” were I might hunt them down. But I digress.

Despite the pleasing effects on my spine—no more bone-crushing pain that wipes the colors from my world—I was left with an impaired singing voice. And while I have always been an Alto II who rarely hit what most would call modest high notes, my voice is even lower now.

Recently, I decided to rectify the situation, so I signed up for voice lessons. Though I was rather startled when my teacher launched me into singing gospel tunes, Richie is helping me get my voice back.

During a break in my singing, Richie said, “Do you run or walk?”

“I walk,” I said.

“You should sing when you’re walking.”

I smiled. “I already do that.”

Here’s where I’ll admit that every morning I walk a rolling route on my little Caribbean Island of St. Croix, where I get to look at green hills, blue skies, and marshmallow-colored clouds. And the turnaround spot is picture prefect: a sprawling field carved into a hillside of tropical forest where, if I’m very lucky, horses and deer might be found placidly grazing together while a white cattle egret flutters around them. So, long before Richie suggested I sing while walking—an effort to improve my breathing—I was already serenading anyone within earshot.

I’ve since learned that singing is good for us. Apparently the smart folks who know such things say it can reduce stress, strengthen our immune systems, and, as Richie pointed out, improve our lung function. And here’s something really cool. Music in general—either singing, playing, or listening to it—affects us the same way chocolate and sex do. Our brains produce endorphins, chemicals that give us feelings of euphoria and well-being. Imagine that!

So, I will continue my morning stroll, singing whenever I feel the urge, even though I might periodically verge on channeling Barry White.

Your Forgotten Sons

Inspired by a true story

Anne Montgomery

Bud Richardville is inducted into the Army as the United States prepares for the invasion of Europe in 1943. A chance comment has Bud assigned to a Graves Registration Company, where his unit is tasked with locating, identifying, and burying the dead. Bud ships out, leaving behind his new wife, Lorraine, a mysterious woman who has stolen his heart but whose secretive nature and shadowy past leave many unanswered questions. When Bud and his men hit the beach at Normandy, they are immediately thrust into the horrors of what working in a graves unit entails. Bud is beaten down by the gruesome demands of his job and losses in his personal life, but then he meets Eva, an optimistic soul who despite the war can see a positive future. Will Eva’s love be enough to save him?

Universal Buy Link

Amazon

Apple Books

Barnes & Nobel

Google Books

Kobo

Bookstores, libraries, and other booksellers can order copies directly from the Ingram Catalog.

Anne Montgomery’s novels can be found wherever books are sold.

Goodreads

Amazon